22 Oct 2009
This past month has seen Malaysia waging a culture war against Indonesia and Singapore, two fellow founding members of the Asean grouping.
A regional food fight broke out when tourism minister Ng Yen Yen accused surrounding countries of hijacking Malaysia?s popular dishes.
Earlier, Malaysia had also unwittingly incensed Indonesians when a documentary about its tourism featured the traditional pendet dance commonly performed on the Indonesian island of Bali. In retaliation, some Indonesians formed a vigilante group to hunt down Malaysians working in the Indonesian capital, Jakarta.
Battle lines between Malaysia and Indonesia were also drawn over the rightful ownership of the intricate batik fabric When Unesco approved Indonesia?s bid to include this cloth in its list of Intangible Cultural Heritage, the Indonesian media played it up as a victory over Malaysia, where there had previously been efforts to patent batik designs.
Meanwhile, Thailand and Cambodia had been wrangling over the ownership of the Preah Vihear temple located at their borders?a dispute also born from a Unesco decision last year to designate the temple as a world heritage site for Cambodia (to the chagrin of Thai leaders who are now appealing against this decision). Already, clashes between Cambodian and Thai troops have caused fatalities on both sides.
To downplay Asean?s culture war is unwise. This conflict threatens the regional grouping?s unity, forcing its members to uphold a state of continuing sociopolitical, even military, tension that is almost akin to the cold war. The skirmishes between Thai and Cambodian troops and the near-violent spat between Indonesians and Malaysians signal a disturbing trend.
To bridge the gaping cultural divide, Asean needs to instill a much-needed paradigm shift that will see its people define ?culture? beyond mere superficialities. Instead of being fixated on a distinct dish, dress or dance, Southeast Asians have to start seeing culture from a sociohistorical perspective. Given that the region was once part of the Silk Road where traders from all over Asia had moved freely, any instances of cultural heritage are likely to be a meshing of many.
As founding members of the grouping, Indonesia, Malaysia and Singapore are well-placed to contribute to this undertaking. Taking the case of multicultural Singapore, this would mean capitalizing on the notion of hybridized cultures to encourage endeavors that break down racial barriers, such as school public performances where Chinese pupils dance to Indian bhangra music or Malay students perform the Chinese opera, among others.
There are other ways of instilling such a culture shock. To mitigate the spread of parochialism in future generations, Asean could develop an educational program highlighting its sense of shared history that could be adapted by schools in the different member-states. The ideal curriculum should capture discourses that not only decenters the idea of a fixed identity but promotes the view that culture is evolutionary and not static. Hence, this month?s forum by historians from Malaysia and Indonesia to suss out common cultural links is laudable.
Or Asean leaders could consider setting up a committee of experts to rule on cultural disputes between member states. Professing multicul-turalism as its motto, this committee should also advise Unesco, which inadvertently fueled Asean?s culture war when it ruled in fevor of Indonesia and Cambodia on the batik and the Preah Vehar temple respectively. Such a committee would gel well with Asean secretary-general Surin Rtsuwan?s promise of focusing on culture as the hitherto ignored third pillar of the grouping, after the economy and defense, when he first took over last year.
Whatever Asean chooses to do, it needs doing soon. The region's culture vultures are already hovering on the horizon.
Sourced = The Phnom Penh Post