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TERRACE
OF THE LEPER KING
The stone monarch is absolutely naked, his hair is plaited and
he sits in the Javanese fashion. The legs are too short for the torso, and the
forms, much too rounded, lack the strong protuberances of manly muscles; but,
however glaring are his defects, he has many beauties, and as a study of
character he is perhaps the masterpiece of Khmer sculpture. Whilst his body is
at rest his soul boils within him... |
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His features are full of passion, with thick lips, energetic chin, full
cheeks, aquiline nose and clear brow... his mouth, slightly open,
showing the teeth. this peculiarity of the teeth being shown in a smile
is absolutely and strangely unique in Cambodian art.
Location:
immediately north of the Terrace of the Elephants
Access: from the main road
Date: end of the 12th century
King: Jayavarman VII (reigned 1181-1220)
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BACKGROUND
The terrace of the Leper King carries
on the theme of grandeur that characterises the building during
Jayavarman VII's reign. It is faced with dramatic bas-reliefs, both
on the interior and exterior. During clearing, the EFEO found a
second wall with bas-relief similar in composition to those of the
outer wall. Some archaeologists believe that this second wall is
evidence of a late rites, two meters wide of laterite faced with
sandstone. It collapsed and a second wall of the materials, two
meters wide, was built right in front of it without any of the
rubble being cleared. Recently, the EFEO has created a false
corridor which allows visitor to inspect the relief on the first
wall.
LEPER KING
The curious name of this terrace refers to a statue of the Leper
King that is on the platform of the terrace. The one you see today
is a copy. The original is in the court-yard of the National Museum
in Phnom Penh. the figure is depicted in a seated position with his right
knee raised, a position some art historians consider to be
Javanese-style. Its nakedness is unusual in Khmer art. |
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Who was the Leper King ? Mystery and uncertainty surround the origin
of the name. The long-held theory that Jayavarman VII was a leper
and that is why he built so many hospitals throughout the empire has
no historical support whatsoever. Some historians think the figure
represents Kubera, god of wealth, or Yasovaraman I, both of whom
were allegedly lepers. Another ideas is based on an inscription that
appears on the statue in characters of the 14th or 15th century
which may be translated as the equivalent of the assessor of Yama,
god of death or of judgment. Yet another theory suggests that the
Leper King statue got its name because of the lichen which grows on
it. The position of the hand, now missing, also suggests it was
holding something.
Coedès believes that most of the Khmer monuments were funerary
temples and that the remains of kings were deposited there after
cremation. He thinks, therefore, that the royal crematorium was
located on the Terrace of the Leper King. The statues, then,
represents the god of death and is properly situated on the terrace
to serve this purpose. Yet another theory derives from a legend in a
Cambodian chronicle that tells of a minister who refused to
prostrate before the king, who hit him with his sword. Venomous
spittle fell on the king, who then became a leper and was called the
Leper King thereafter.
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